‹‹‹ Vitr. 5.5.6 | Table of Contents | Vitr. 5.5.8 ›››
7Some one may perchance urge, that many theatres are yearly built in Rome, without any regard to these matters. But let him not be herein mistaken, inasmuch as all public theatres which are constructed of wood, have many floors, which are necessarily conductors of sound. This circumstance may be illustrated, by consideration of the practice of those that sing to the harp, who when they wish to produce a loud effect, turn themselves to the doors of the scene, by the aid of which their voice is thrown out. But when theatres are constructed of solid materials, that is of rubble, squared stones or marble, which are not conductors of sound, it is necessary to build them according to the rules in question.
7Somebody will perhaps say that many theatres are built every year in Rome, and that in them no attention at all is paid to these principles; but he will be in error, from the fact that all our public theatres made of wood contain a great deal of boarding, which must be resonant. This may be observed from the behaviour of those who sing to the lyre, who, when they wish to sing in a higher key, turn towards the folding doors on the stage, and thus by their aid are reinforced with a sound in harmony with the voice. But when theatres are built of solid materials like masonry, stone, or marble, which cannot be resonant, then the principles of the “echea” must be applied.