‹‹‹ Vitr. 1.1.5 | Table of Contents | Vitr. 1.1.7 ›››
6Again; a small number of Lacedæmonians, under the command of Pausanias, the son of Cleombrotus, overthrew the prodigious army of the Persians at the battle of Platea. After a triumphal exhibition of the spoil and booty, the proceeds of the valour and devotion of the victors were applied by the government in the erection of the Persian portico; and, as an appropriate monument of the victory, and a trophy for the admiration of posterity, its roof was supported by statues of the barbarians, in their magnificent costume; indicating, at the same time the merited contempt due to their haughty projects, intimidating their enemies by fear of their courage, and acting as a stimulus to their fellow countrymen to be always in readiness for the defence of the nation. This is the origin of the Persian order for the support of an entablature; an invention which has enriched many a design with the singular variety it exhibits. Many other matters of history have a connexion with architecture, and prove the necessity of its professors being well versed in it.
6Likewise the Lacedaemonians under the leadership of Pausanias, son of Agesipolis, after conquering the Persian armies, infinite in number, with a small force at the battle of Plataea, celebrated a glorious triumph with the spoils and booty, and with the money obtained from the sale thereof built the Persian Porch, to be a monument to the renown and valour of the people and a trophy of victory for posterity. And there they set effigies of the prisoners arrayed in barbarian costume and holding up the roof, their pride punished by this deserved affront, that enemies might tremble for fear of the effects of their courage, and that their own people, looking upon this ensample of their valour and encouraged by the glory of it, might be ready to defend their independence. So from that time on, many have put up statues of Persians supporting entablatures and their ornaments, and thus from that motive have greatly enriched the diversity of their works. There are other stories of the same kind which architects ought to know.