Roman History, 45.2

Cassius Dio  translated by Earnest Cary

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2These things were reported at that time; and while the child was being brought up in the country, an eagle snatched from his hands a loaf of bread and after soaring aloft flew down and gave it back to him. When he was now a lad and was staying in Rome, 2Cicero dreamed that the boy had been let down from the sky by golden chains to the Capitol and had received a whip from Jupiter. He did not know who the boy was, but meeting him the next day on the Capitol itself, he recognized him and told the vision to the bystanders. 3Catulus, who had likewise never seen Octavius, thought in his sleep that all the noble boys had marched in a solemn procession to Jupiter on the Capitol, and in the course of the ceremony the god had cast what looked like an image of Rome into that boy’s lap. 4Startled at this, he went up to the Capitol to offer prayers to the god, and finding there Octavius, who had gone up for some reason or other, he compared his appearance with the dream and convinced himself of the truth of the vision. 5When, later, Octavius had grown up and reached maturity and was putting on man’s dress, his tunic was rent on both sides from his shoulders and fell to his feet. Now this event in itself not only foreboded no good as an omen, 6but it also distressed those who were present because it had happened on the occasion of his first putting on man’s garb; it occurred, however, to Octavius to say, “I shall have the whole senatorial dignity beneath my feet,” and the outcome proved in accordance with his words. 7Caesar, accordingly, founded great hopes upon him as a result of all this, enrolled him among the patricians, and trained him for the rule, carefully educating him in all the arts that should be possessed by one who was destined to direct well and worthily so great a power. 8Thus he was practised in oratory, not only in the Latin language but in the Greek as well, was vigorously trained in military service, and thoroughly instructed in politics and the art of government.

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